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Scene from The Jail: A Women's Hell |
It was directed by Bruno Mattei, an Italian filmmaker with a history of sex and violence schlock going back to 1970. Mattei passed away in 2007, aged 75. I'm not sure I've seen any of his other films but there are certainly a lot of them if you check that IMDb link.
I quite appreciate this movie because, as far as I'm concerned, you can never have too many women-in-prison films shot in a steamy Philippines jungle.
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The poster |
The only thing that mangles this "film" is that it was obviously shot on video. No doubt the vast majority of Mattei's work was shot on celluloid but he, like many others these days, opted for the compromise of an electronic camera.
This almost always comes down to dollars and cents but, in so doing, the "soul" of the work is usually lost. I don't care how many megapixels digital cameras ultimately pack into their sensors, the film "look" is still missing.
The exception seems to be multi-million dollar productions, but even then the video takes on the look of modern film stocks. Or is it the other way around? Are Kodak and Fuji making new films that seek to emulate high def video since that's what all the kids want these days?
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Scene from The Jail: A Women's Hell, 2006 |
With some notable exceptions, electronic cameras suck the soul out of an image like a vampire stealing blood.
That said, given the choice between no sexy jungle torture movies and only ones shot on video, I will always opt for the latter. But it's an unpleasant tradeoff.
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Yvette Yzon in The Jail: A Women's Hell, 2006 |
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Whipping scene, Bamboo House of Dolls |
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Whipping scene, The Jail: A Women's Hell |
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And dancing girls |
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The ever-popular shower scene |
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Caught in the act ... and punished! |
At least with The Jail: A Women's Hell, the soul may be missing but its heart is in the right place.
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